Dante's Models
LOCATIONS · Editorial

Staten Island Fashion Shoot Locations for Fall

By Dante T9 · Sep 16, 2026 · 5 min read

Outdoor editorial does not have to stop in November. Staten Island's industrial shoreline has good autumn light if you are willing to step off the paved path.

Want to shoot at any of these with Dante's Models? Book a session or apply to be represented.

Arthur Kill Ship Graveyard, Staten Island Fashion Shoot Locations for Fall
© Julia Fuchs
№ 01

Arthur Kill Ship Graveyard

Rusted steel and marshland
Rossville, Staten Island
Industrial Skeletal

Check access rules and permit requirements before you plan a commercial shoot at this maritime dump. The hulls of decaying tugboats catch the low November sun and throw hard geometric shadows across heavy wool silhouettes.

Best time
Late fall afternoons, exactly 45 minutes before tide crests
Lens
85mm f/1.4 to compress the rusting hulls behind your subject
Outfit
Architectural tailoring, stark white trench coats, heavy gauge knitwear
Pro tip

Check the mud line on satellite maps before you go. High tide can strand a crew in brackish water within twenty minutes.

The Concrete Ribs of Mount Loretto, Staten Island Fashion Shoot Locations for Fall
© Nadezhda Moryak
№ 02

The Concrete Ribs of Mount Loretto

The cliffside bluff
Pleasant Plains, Staten Island
Windswept Stark

The south shore is a long trip from Manhattan and the transit eats into the call sheet. In return, this open bluff over Raritan Bay gives you clear horizon lines you cannot get in DUMBO. Salt-burnt autumn scrubgrass turns a dull platinum blonde that reads like Icelandic tundra on 35mm film.

Best time
Overcast November mornings at 8:00 AM
Lens
35mm prime for wide environmental portraiture
Outfit
Layered monochrome camel coats, distressed leather, structured felt hats
Pro tip

Wind off the bay wrecks loose hair extensions. Style with gel or structured headwear before you leave the van.

Port Richmond Dry Docks, Staten Island Fashion Shoot Locations for Fall
© Boris Hamer
№ 03

Port Richmond Dry Docks

Working shipping grit
Port Richmond, Staten Island
Metallic Working-class Cinematic

Unlike the polished piers of Red Hook, Port Richmond still smells of diesel, marine grease and wet gravel. Keep the lighting package handheld and do not arrive like a film crew with a fleet of grip trucks. You can get frames that look like 1990s Italian Vogue.

Best time
November golden hour when the sun bounces off the Kill Van Kull
Lens
50mm f/1.2 shot wide open against rusted shipping containers
Outfit
High-gloss patent leather, neon silk accents against grit, combat boots
Pro tip

Keep the kit bag down to one rolling case. A lone photographer draws less attention at a private dock than a crew with tripods.

The St. George Esplanade Underbelly, Staten Island Fashion Shoot Locations for Fall
© yanhui xue
№ 04

The St. George Esplanade Underbelly

Brutalist concrete beneath the ferry
St. George, Staten Island
Cavernous Cold

Commuters walk past the lower pylons and retaining walls beside the ferry terminal every day. The upper deck gives the usual skyline view. At water level the concrete shafts trap deep shadows and bounced harbor light, which gives plain studio garments high-contrast editorial drama.

Best time
High noon on a clear day when light pierces the deck slats
Lens
24-70mm f/2.8 to adapt to tight structural pillars
Outfit
Minimalist black eveningwear, metallic fabrics, clean suiting
Pro tip

Use the ambient bounce off the harbor chop to fill your shadows instead of dragging reflectors across the slippery dock stairs.

South Beach Boarded Pavilions, Staten Island Fashion Shoot Locations for Fall
© Diogo Miranda
№ 05

South Beach Boarded Pavilions

The beach after the season
South Beach, Staten Island
Desolate Pastel Quiet

Once October hits, the concession stands bolt plywood over their windows and leave miles of weathered teal railings and empty concrete promenades. The summer beach look is gone, and the quiet mid-century setting recalls off-season resorts in northern France.

Best time
Crisp autumn sunrise as the light hits the Verrazzano
Lens
135mm f/2 to isolate the model against empty boardwalk lines
Outfit
Oversized wool blazers, silk slip dresses, heavy shearling outerwear
Pro tip

Angle toward the bridge towers to catch early morning rim light on the shoulders of structured coats.

That's the inside look. Save this one for your next shoot.
And when you're ready to create something real in NYC, you know where to find us.

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